Software
As a software developer, Reuben’s experience began when learning how to write code in various research science environments before working as a full-stack engineer and engineering manager at New York Magazine. The bulk of his tenure there was devoted to the development of The Strategist, with responsibilities spanning from implementing the full site redesign, and developing tools and services that power editorial, data, and business-development workflows in addition to the primary reader-experience across a number of distribution platforms (e.g. web, AMP, and Apple News).
He has also built out a number of creative coding projects. He developed custom software for the Hobo UFO project with artist James Hoff, which programmatically détourns Google Maps Street View into an audio-reactive cinematography reminiscent of Michael Snow’s La Région Centrale.
Sound
Reuben is currently working on a project titled Airports for Music. This is a loose collection of new and ongoing work exploring the grey area between location recordings, synthetic sound, and the feeling of the idea of silk scarves in the air. These pieces begin with listening-through-recording, in which I sit with a portable recording device for 5-10 minutes in a location that seems well suited to a kind of silence, and I try to listen to everything that I imagine the microphone can hear. At a later point, I return to each of these recordings and compose a piece around them, but leaving each original location recording largely unedited. These pieces exist almost as fragrance, passing clouds of colouration suspended in air.
During a previous studio residency at EMS in Stockholm, he began developing the Weaving Music web application. In this project, he explores the notion of composition as the deployment of strategies for dealing with the propositional materiality of sound. Drawing from the origins of computing within the history of textile production, his forthcoming work attempts to formalize this idea of sonic materiality by abstracting principles of weaving and textile design into a generative framework for electronic music production.
Selected Performances
- 2019 Whitney Museum w/ Eli Keszler — sound design and live multi-channel spatialization (link)
- 2013 Boston Waterworks Museum — live electronic music
- 2013 Contemporary Arts International — live electronic music (link)
- 2012 Eyebeam Art & Technology Center w/ Eli Keszler — bassoon performance (link)
- 2010 Goethe-Institut Boston — performance on guitar and electronics (link)
Selected Discography and Publications
- 2023 Airports for Music — Digital release on Nina Protocol (link)
- 2022 Composing Through Listening — Radio program for WFMU (link)
- 2019 Hobo UFO v Chernobyl — Digital release on PAN (credit: software engineer; link)
- 2015 Still Sleeping — Digital release on Private Chronology (link)
- 2015 Untitled Maquette — 7" + CD on Estuary Ltd. (link)
- 2014 Asleep at the Drawing Board — 7" record on Private Chronology (link)
- 2012 Days Gone By — 7" record on Wagtail Recordings (link)
- 2011 The Wanting — LP/CD on Thrill Jockey (credit: recording engineer; link)
Ceramics
Reuben’s most recent ceramics work was completed during a summer workshop at the Haystack Mountain School of Crafts, where he protyped and experimented with 3D ceramic printing techniques and bots. You can read reflections on that workshop here, see an image gallery of selected works here, and check out ceramics for sale on Etsy.
