The following presets may be helpful for you to become familar with the inner workings of this app.

This preset has the feelings of passing clouds, like a slower movement from one of Keith Fullerton Whitman's Generators or his Playthroughs album. The slow BPM and usage of canon Stack Type allows for a gentle cycling across the maj7 chord, arranged here over a two-octave register.

To explore this preset further, try clicking Randomize note sequence to obtain a new random pattern for the given chord, and play with the Weave X and Weave Y parameters to change the sparseness of the voicings.

This preset is at the other of the spectrum, a frenetic arpeggiation of varying pipe organ tonalities, reminiscent of a section from Peter Hamel or Phillip Glass. The organ sonority comes from the use of octave Stack Type, which means that a column of notes is played as octaves.

To explore this preset further, try raising up the Euclidean Density setting to fill in the octave harmonic spectrum, or bring it down to 1 to hear each the notes playing in isolation across the octave registers. You may also play with the Sine Waveform to change the melody derived. Simpler waveforms closer to the middle range will allow you to easily hear how the pitch of the notes follows the contours of the waveform. This will also register visibly if you include the Euclidean Density to its maximum setting.

This preset takes on the more extreme high register, playing a cluster of notes that are close enough in frequency to produce audible difference tones, in the manner of Maryanne Amacher's explorations of Marvin Minksy's Triadex Muse.

To bring this back into more traditionally musical territory, simply move the Lower Register value back down.