Table of Contents

Works

  • After Orpheus (2025) 2 Mixed media sound sculpture
  • Airs (2025) 3 Wind as poetry, poetry as wind
  • Quiet Time (2024) 4 Essay and lecture at Naive Yearly 2024
  • Echea (2024) 5 Ceramic sound sculpture w/ Eli Keszler
  • Surface Tension (2024) 6 Essay on surfaces for Are.na Annual
  • MIDI Archive (2023) 7 ML model and archive of music on the early web
  • Frog Chorus (2023) 8 Summon a chorus of frogs from your phone
  • Airports for Music (2023) 9 Sound as fragrance
  • Meander (2023) 10 3D printed ceramics at Haystack Mountain School of Crafts
  • HOBO UFO (2019) 11 Audio-reactive Street View built for James Hoff
  • Weaving Music (2019) 12 Sound as a woven textile
  • Travel Vases (2019 —) 13 Pocket-sized ceramic vessels for vacation wildflowers
  • QCVG (2012) 14 Programmable modular synthesizer
  • Private Chronology (2009) 15 DIY music label, distributed by Mimaroglu Music Sales
  • Radio Mixes

    Airports for Music (2023)

    https://www.ninaprotocol.com/hubs/airportsformusic
    Media: sound
    Site-specific sound as fragrance

    Airports for Music is an ongoing collection of compositions that juxtapose location recordings with synthetic sound, produced under the metaphor of sound as a fragrance drifting gently from speakers into the air.

    Cover art for the second edition of Airports for Music
    Cover art for the second edition of Airports for Music

    These pieces begin with listening-through-recording, in which I sit with a portable recording device for 5-10 minutes in a location that seems well suited to a kind of silence, and I try to listen to everything that I imagine the microphone can hear. At a later point, I return to each of these recordings and compose a piece around them, but leaving each original location recording largely unedited. These pieces exist almost as fragrance, passing clouds of colouration suspended in air.

    Works in this collection have been serially published to Nina Protocol as an experiment with self-publishing alternatives to the existing major streaming platforms. In particular, this project benefits from being able to associate the music with a primary body of text, and can easily include works by other interested contributors.

    Cover art for the third edition of Airports for Music
    Cover art for the third edition of Airports for Music

    See also