Table of Contents

Works

  • After Orpheus (2025) 2 Mixed media sound sculpture
  • Airs (2025) 3 Wind as poetry, poetry as wind
  • Quiet Time (2024) 4 Essay and lecture at Naive Yearly 2024
  • Echea (2024) 5 Ceramic sound sculpture w/ Eli Keszler
  • Surface Tension (2024) 6 Essay on surfaces for Are.na Annual
  • MIDI Archive (2023) 7 ML model and archive of music on the early web
  • Frog Chorus (2023) 8 Summon a chorus of frogs from your phone
  • Airports for Music (2023) 9 Sound as fragrance
  • Meander (2023) 10 3D printed ceramics at Haystack Mountain School of Crafts
  • HOBO UFO (2019) 11 Audio-reactive Street View built for James Hoff
  • Weaving Music (2019) 12 Sound as a woven textile
  • Travel Vases (2019 —) 13 Pocket-sized ceramic vessels for vacation wildflowers
  • QCVG (2012) 14 Programmable modular synthesizer
  • Private Chronology (2009) 15 DIY music label, distributed by Mimaroglu Music Sales
  • Radio Mixes

    Echea (2024)

    Media: ceramics, bluetooth speakers, audio | Dimensions: approx. 4' x 4' x 3'

    Echea is a mixed media sculpture produced in collaboration with the artist and composer Eli Keszler for an eponymous exhibition at Galerie Pepe (Mexico City). Four large earthenware vessels (produced by an artisan in Guadalajara) provide interiors arranged with my ceramic tongue sculptures and an audio playback system we devised and programmed for the sculpture. These tongues gesture towards both sound and silence, a sussuration of voices and echoes sputtering out to the velvet-lined walls of the gallery; sound is a body searching for its surface.

    Installation view of Echea at Galerie Pepe
    Left to right: close-ups of various tongues installed in Echea

    See also