Table of Contents

Works

  • After Orpheus (2025) 2 Mixed media sound sculpture
  • Airs (2025) 3 Wind as poetry, poetry as wind
  • Quiet Time (2024) 4 Essay and lecture at Naive Yearly 2024
  • Echea (2024) 5 Ceramic sound sculpture w/ Eli Keszler
  • Surface Tension (2024) 6 Essay on surfaces for Are.na Annual
  • MIDI Archive (2023) 7 ML model and archive of music on the early web
  • Frog Chorus (2023) 8 Summon a chorus of frogs from your phone
  • Airports for Music (2023) 9 Sound as fragrance
  • Meander (2023) 10 3D printed ceramics at Haystack Mountain School of Crafts
  • HOBO UFO (2019) 11 Audio-reactive Street View built for James Hoff
  • Weaving Music (2019) 12 Sound as a woven textile
  • Travel Vases (2019 —) 13 Pocket-sized ceramic vessels for vacation wildflowers
  • QCVG (2012) 14 Programmable modular synthesizer
  • Private Chronology (2009) 15 DIY music label, distributed by Mimaroglu Music Sales
  • Radio Mixes

    Mixes for radio

    Media: sound
    Audio broadcasts produced for NTS and WFMU

    Allure of Inertia is a one-hour radio broadcast composed for NTS, a community radio station based in London. This mix was produced on the theme of metamorphosis.

    “Music for holding the capacity to change, for letting go of state. Breaking forms and surfaces, following water to weather. Speakers diffusing fragrances of sound. From open windows and sliding glass doors to the ocean … amor fati.”

    Download Link or Stream.

    show flyer by NTS

    Composing Through Listening is a one-hour radio broadcast composed for the WFMU, historic free-form community radio station based in Jersey City.

    photo of Luc Ferrari's score for Presque Rien
    Luc Ferrari's score for Presque Rien No. 1, courtesy of Maison ONA

    This program was mixed and edited specifically for radio, presenting a survey of works by composers who deal with the phenomenology of listening directly in their compositional practices.

    At one extreme, Jakob Ullmann and Luc Ferrari explore composition at the threshold of being reduced to almost nothing. In his liner notes, Ullmann often suggests to “set the volume so as to just barely mask the ambient sounds in the room”.

    Along a different paradigm, Jana Winderen and Felix Hess use non-traditional recording methods to work with sound beyond the natural limits of human hearing, and Yukio Fujimoto uses sculptural devices to augment his own hearing.

    See also