Works

  • After Orpheus (2025) 2 Mixed media sound sculpture
  • Airs (2025) 3 Wind as poetry, poetry as wind
  • Quiet Time (2024) 4 Essay and lecture at Naive Yearly 2024
  • Echea (2024) 5 Ceramic sound sculpture w/ Eli Keszler
  • Surface Tension (2024) 6 Essay on surfaces for Are.na Annual
  • MIDI Archive (2023) 7 ML model and archive of music on the early web
  • Frog Chorus (2023) 8 Summon a chorus of frogs from your phone
  • Airports for Music (2023) 9 Sound as fragrance
  • Meander (2023) 10 3D printed ceramics at Haystack Mountain School of Crafts
  • HOBO UFO (2019) 11 Audio-reactive Street View built for James Hoff
  • Weaving Music (2019) 12 Sound as a woven textile
  • Travel Vases (2019 —) 13 Pocket-sized ceramic vessels for vacation wildflowers
  • QCVG (2012) 14 Programmable modular synthesizer
  • Private Chronology (2009) 15 DIY music label, distributed by Mimaroglu Music Sales

    • Radio Mixes

    Moon Udu (2025)

    Media: ceramics | Dimensions: 14" x 14" x 36"

    Stoneware ceramic drum with apertures on the side and the top. The instrument is based on the traditional Nigerian udu, but made with the Korean moon jar technique. Its egg-shaped form pays homage to Assagioli’s model of psychosynthesis, while also functioning ergonomically to to sit comfortably on the lap.

    Roberto Assagioli’s seven regions of the psyche: 1: The Lower Unconscious, 2: The Middle Unconscious, 3: The Higher Unconscious or Superconscious, 4: The Field of Consciousness, 5: The Conscious Self or “I”, 6: The Higher Self, 7: The Collective Unconscious

    See also